You’ve read “5 Unused Batman Villains That Need To Appear In the DCEU, Part 1” featuring the Court of Owls and Clayface? And now you want to know who my 3 top choices are for who I’d like Ben Affleck to eventually face in the DC Extended Universe? Here we go with the 2nd and final part!
3. Victor Zsasz
Okay, I’m cheating a wee bit here, as Victor Zsasz appeared briefly in Chrisopher Nolan’s Batman Begins. It was a cameo mostly by name only; we watch Jonathan Crane (Cillian Murphy) get the serial killer transferred to Arkham early in the film, only to see him again once when Ra’s Al Ghul’s men break the inmates out of Arkham in the finale. But we never see Zsasz in action… or with his trademark look.
Zsasz is a serial killer who cuts a mark on his body to represent everyone he’s murdered. Like Clayface, he has no personal hatred for Batman, besides being a criminal, but he is pure evil. Focusing on women and children, preferably little girls, Zsasz has hundreds of cuts on his body, as he is very good at what he does. Oh, and he’s just plain nuts, if the cutting and murdering didn’t tip you off.
A while back, it was rumored that Zsasz would be used in Batman V Superman as a villain Batman (Ben Affleck) faces in the beginning of the film to establish his role as the protector of Gotham. Though that rumor proved to be false, I suggest nothing more than that in The Batman; just have Batman take down Zsasz before Deathstroke (Joe Magliano) comes to town.
2. Black Mask
Yes, Black Mask is wearing a mask; he is not a Red Skull wanna be. Like Clayface, there have been more than one Black Mask since his first appearance in 1985 (which actually makes him one of the newer villains in Batman’s 77 year history). The most well known incarnation is Roman Sionis, the head of one of the gangs in Gotham, The False Face Society. Sionis is interesting as he can fill the role of a regular crime boss like Falcone or Maroni, while also dressing like one of the “freaks” Gotham is known for. If they wanted, the creative team behind the DCEU could simply use Black Mask as a crime boss Batman is trying to take down. He’d be the perfect villain to hire Deathstroke to help him do away with Batman.
Of course, Black Mask doesn’t just sit on his ass like Falcone, he can face Batman directly with his trademark double automatic pistols and sword. Sionis is skilled in hand-to-hand combat and is a brilliant strategist that rivals Batman.
Black Mask has had different abilities and histories with Bruce Wayne that could be utilized to make him less of a mobster and more of a super-villain with personal vendetta against Batman. In the New 52, his mask has hypnosis-like mind control abilities and Sionis used toxin filled masks to kill his victims, leaving their faces blackened and shriveled like a skull (or his own mask). In his initial appearance, Roman’s parents had a “friendship” with Martha and Thomas Wayne, while secretly hating them. This “friendship” lead them to force young Sionis to become friends with young Bruce Wayne. Such a relationship would certainly make things more interesting as the relationship between Roman and Bruce could be explored against the backdrop of Black Mask’s hatred towards Batman.
1. Hugo Strange
If I don’t see Hugo Strange appear in a Batman film soon, I’m going to lose my mind! (Something Strange would be fine with).
Hugo is an oldie, but a goodie, appearing in Detective Comics #36, predating Catwoman or even The Joker. He’s the 1st and most notable of the villains that figured out Bruce Wayne is Batman over the decades, which has made him an incredibly dangerous adversary. Sometimes he is a simple psychologist (or a famous one), though he has also run Arkham Asylum in various iterations, another power move most villains haven’t pulled off.
My favorite Hugo Strange story comes from Batman: Prey (also one of my favorite Batman Graphic Novels overall). In this version, Strange is a brilliant Psychologist who promises Gotham he can uncover Batman’s secret identity, leading to his being hired as a Police Consultant with access to all of the police records. Strange correctly surmises that Batman is a result of great trauma, so he uses said files to narrow down who in Gotham could actually be Batman. Strange attempts to use Scarecrow as a pawn (which doesn’t end well for poor old Hugo) and brainwashes GCPD Sargent Max Cort to become a violent vigilante, The Night-Scourge, who will stop at nothing to kill Batman. Strange’s obsession with Batman is explored in this story as well, including a scene where Strange himself dresses as the Bat. 
Strange would work particularly well with Deathstroke. Deathstroke’s origin could be tweaked so he is less a mercenary and more a product of Hugo Strange’s hypnosis and obsession, just like Night-Scourge. Or, if Strange is head of Arkham in the DCEU, he could also be responsible for releasing Deathstroke to do his dirty work. It would be fun to watch a movie where there is the actual threat of Batman’s secret identity going public, and, if Deathstroke had said information it would make him an even bigger threat for the Dark Knight.
So that’s my wish-list for which Batman Villains I hope appear either alongside Deathstroke in The Batman or later in the DCEU. I hope either Ben Affleck or Geoff Jones is listening (they’re not… to me at least)!
The Court of Owls were introduced as one of the first villains in 2011’s premiere of DC Comics’ “Reboot,” The New 52. Created by writer Scott Snyder (not Zack!) and artist Greg Capullo, the men behind nearly all issues of the incredible New 52 run of ‘Batman,’ The Court of Owls are an organized crime group and secret society the likes of which Batman has never faced. Organized crime is nothing new in Gotham, but the Court has secretly controlled Gotham since Colonial times. Made up of Gotham’s oldest and wealthiest families, they have used money and political power to shape Gotham to their liking, having an even greater influence on the city than the legacy of the Waynes. Completely unknown to Gotham’s great protector Batman and his alter ego Bruce Wayne who seeks to improve his city with his fortune, they have bases and hideouts based all over the city, even in Wayne structures. Their existence is but a fairy tale to even Bruce, living on mainly though a nursery rhyme:
Talons are their deadly assassins, basically an army of undead soldiers selected by the Court of Owls over the centuries, kept in a “deep sleep” until needed. When called upon, this army is dangerous indeed, not stopped by bullets, knives, or most of Batman’s tricks, because… well… I did say they were, “basically undead.”
Unlike the Court of Owls, Clayface has been a Batman mainstay for over 50 years. In that span of time, there have been many versions Clayface, but my favorite representation was how he was interpreted for Batman: The Animated Series in the 90’s. Without going into every version of the character, Basil Karlo is a well known actor (often presented as washed up or recently fired) who undergoes an experiment/accident that leaves him in the form of a giant mud monster. The powers that come with such a transformation give him super-strength and the ability to shape-shift to impersonate anyone; Batman’s friends and foes, or even Bruce Wayne himself!
Clayface could be used a number of different ways with Deathstroke. He could pose as a fake Bruce Wayne after Deathstroke takes Batman out of the picture (for a time, Batman obviously comes back and wins in the end). He could be a secondary villain who torments Batman between Deathsroke attacks, or even serve as the villain Batman fights in the opening act, before Deathstroke is on the scene. He could even be an ally to Batman, like in this year’s run of Detective Comics following the latest “Soft Reboot,” Rebirth, becoming Bruce Wayne or Batman to serve as a false target for Deathstroke. The possibilities are nearly endless when the people Clayface can become are.
The NEW 52 rewrote Etrigan The Demon’s history a bit, and it’s safe to assume that any big screen version of the character will stick closer to DC’s most recent iteration. Etrigan worked for Lucifer himself before the dark ages, eventually leading a revolution against the Fallen One. Meanwhile, Jason Blood was a scribe for Merlin (yes, the Merlin of Camelot), unhappy with his life; both full of rage and a desire to amount to greater things. For reasons that are too intricate to go into here, Merlin and Lucifer decided to merge Etrigan and Jason. A little like Bruce Banner and the Hulk, the two sides learn to coexist… eventually, as they are immortal. Etrigan has belonged to groups like Justice League Dark over the centuries, including the “Demon Knights,” who he attempted to betray to earn back favor with Lucifer. Things didn’t exactly go Etrigan’s way, as he was sealed beneath London by his “teammates” until the modern day, when he will surely be unearthed just in time to save the day (or betray JLD and become the main villain, Enchantress style). The little information on Dark Universe we have suggests that whatever evil Justice League Dark faces comes from Etrigan’s past, centuries before the likes of John Constantine and Zatanna were born.
Maybe even more so than John Constantine, Swamp Thing is the most well known character in Justice League Dark. After all, only these two have had live action movies AND TV shows starring them. Swamp Thing and Constantine both originated in Vertigo Comics, kind of a harder, darker version of DC, before being brought into the fold of the greater DC Universe. Swamp Thing was created in 1971, but mastermind Alan Moore (‘Watchmen,’ ‘The Killing Joke’) breathed new life into the character in the 1980’s, also creating Constantine in the pages of ‘Swamp Thing.’
I wanted to include a bonus casting or two, but alas, we’ve run out of time. I will leave you with this… how about Daniel Craig as Frankenstein? Though it is unlikely we will see this character in Dark Universe, Frankenstein’s monster himself is sometimes a member of JLD… and he carries a big fucking sword. Daniel Craig has the right look!
Similar to the Avengers and Task Force X (aka the “Suicide Squad”), Justice League Dark has a rotating cast of characters, unlike Justice League which really hasn’t changed much in 20 years. That being said, we’re told to expect the following characters in Dark Universe: fan favorites John Constantine (aka the Hellblazer) & Swamp Thing, Zatanna, Deadman, and Etrigan the Demon. Other members in the comic have included Katana (played by 
John Constantine is a charming, blond, Irishman, a mage, warlock, and self proclaimed “Master of the Dark Arts.” He’s also a womanizer (though he is bi-sexual), a scoundrel, a cheat, a drunk, a chain-smoker, and really not much of a leader… though he is the unofficial face of Justice League Dark.
Like any good”Superhero Team” (again, don’t use the “S” word in front of Constantine), expect these characters to butt heads; none of them are exactly team players. That being said, Constantine would be the 1st to stab any of his teammates in the back, or play them without laying out his plan, or strike out on his own all together.When the chips fall though, John will sacrifice himself to save those he loves, if he hasn’t lost them already.
I only include one because WB, who has relied more on established stars than Marvel, may balk at the idea of casting Ryan as their lead. Colin Ferrell has been mentioned many times, and he’s a solid second choice; another charming Irishman with a dark side. We’ve just go to bleach his hair!
Zatanna is a powerful magician, both of the performing variety and kind you don’t want to mess with in a magic fight. Unlike Constantine, her powers are genetic; her father was a world famous magician and his disappearance/death ties into her origin. In the comics she was once a member of the actual Justice League, though this is very unlikely to be explored in the DCEU. Zatanna’s also has a romantic history with Constantine, which is likely to be included in the film. He’s burned her (not literally), bad, as he does with everyone in his life. Whenever John betrays the team or goes off on his own, it is Zatanna who picks up the slack. You could make the argument she is the leader of the Justice League Dark, more-so than Constantine.
Boston Brand, like Dick Grayson, the original Robin, was a trapeze artist, but unlike Dick, he’s dead. Get it? “Deadman!” He’s a ghost who can possess both friend and foe, either to control them or simply root through their brain to get the information he needs. Only those skilled in magic, like the members of Justice League Dark and his foes, can even see him. Deadman does whatever a ghost can; walk through walls, go fully invisible, and even fly. Being a former acrobat, he’s pretty handy in a fight, whether it’s against a supernatural spirit or even a goon on the street… if he’s possessing said goon’s friend.
In the end I’m going with Armie Hammer (The Social Network, Lone Ranger, The Man from U.N.C.L.E.). Hammer wowed audiences with his portrayal of the Mark Zuckerberg’s nemeses, the Winklevoss twins, but his blockbusters just haven’t clicked with audiences. I personally love The Lone Ranger and think Hammer deserves yet another shot. He can do serious and still be a little silly. Maybe a team movie where he doesn’t have to carry all the weight is what’s best for him at this point (he was cast in George Miller’s Justice League film before the Writers’ Strike killed it). Besides, who’s going to argue about a ghost with a perfect jawline?
What humor? You mean the “jokes” you’ve already seen in the trailer? Because other than that, the biggest joke is that Captain Boomerang (Jai Courtney) has a Unicorn fetish, which may have been funny… before we saw Ryan Reynolds jerk off to a plush Unicorn in Deadpool back in February. Sure, this film was shot before Deadpool‘s release, but being 2nd to the Unicorn Orgy looses all the thunder. At least Will Smith as Deadshot is funny enough through attitude alone; Smith hasn’t been this snappy since his 90’s classics like Independence Day and Men In Black. Everything else is bleak as Batman V Superman. Suicide Squad seems like it wants to be more like Guardians of the Galaxy and Deadpool, but it fails, miserably.
Part of the excitement going into Suicide Squad is seeing all these fan favorite DC characters – Deadshot, Harely Quinn (Margot Robbie), Amanda Waller (Viola Davis)
Though his appearance is brief, Ben Affleck’s Batman may be even better in Suicide Squad than in BvS! He moves differently, even more gracefully than than BvS, and seeing him from Deadshot’s POV is damn intimidating. Bruce Wayne even has a bit to do, in one of my favorite scenes in the movie.
The characters that are actually deemed necessary are given flashbacks, which, though quick and also underdeveloped, are the best part of the movie. The movie starts strong with these quick stories explaining their origins (sort of), which also happen to be the only visually appealing sequences of the film. There are too many though, and while the 1st act is the most enjoyable, it does feel like an extended trailer. Some flashbacks are saved for later in the film, which really, really, slows down the story and feel completely unwelcome. So, it’s all downhill from the 1st act.
Just a mess. All the pop-y fun of the 1st act is drained away in favor of poorly choreographed action sequences against the most generic soldiers since Loki’s Chitauri army in The Avengers or Ronan’s “Ninja Turtle” aliens in Guardians. Task Force X’s mission also seems misguided and a little unclear. Like I said earlier, Suicide Squad feels like a Superhero movie from the early 2000’s before Nolan and Marvel Studios figured out how to elevate the genre.
As I mentioned, the “zombie soldiers” Task Force X faces are another example of giving a superhero team an army to destroy without murdering tons of human beings (though these “monsters” were once human, but Flag assures us they aren’t anymore…). The Avengers had the Chitauri army and Avengers: Age of Ultron had a robot drone army. This feels similar, with a less interesting design and no charismatic leader like Loki (Tom Hiddleson) or Ultron (James Spader) to taunt the “worst heroes ever.” These soldiers are literally black blobs, a metaphor for all the bland visuals and fight scenes showcased here.
Is it really rockin’? Full of great songs, Suicide Squad tries hardest to be Guardians of the Galaxy with its Soundtrack. I’m sure it does make for a great Soundtrack, but in the movie this overload of music seems distracting and overbearing; every time we meet a new character (every 3 minutes or so) we get a new song. Sloppy and simply thrown together like the rest of Suicide Squad.
Another giant missed opportunity by DC. Suicide Squad tries hard to replicate the success of team-up movies like X-Men, Guardians of the Galaxy, and even The Avengers, but in doing so feels like a paint-by-the-numbers formulaic team movie, bringing nothing new to the table. The movie doesn’t even commit to its one chance at being unique; the twist that they are the villains, not our traditional heroes.
This added story is half the problem with The Killing Joke, as it is mundane, yet surprisingly odd and perhaps questionable. I have nothing against Batgirl (Tara Strong), but watching what is basically a twenty-minute episode of her generic adventure taking down a mobster (it doesn’t always need to be a Super Villain, but it helps) is like an unwelcome opening act for the band you really came to see. Though peppered with Batman, the Joker is no where to be found until after over 20 minutes in to a 76 minute film that is supposed to be about him! Knowing who Batgirl is does add emotional context to the story and that’s why a whole act of Batgirl was added. I don’t believe the original book ever addresses the fact that Barbara Gordon is Batgirl in addition to Commissioner Gordon’s (Ray Wise) daughter. I’m not saying Warner Animation shouldn’t make a Batgirl movie, I’m just saying it takes away from a story that is fundamentally just about Batman and The Joker at each other’s throats.
Sherlock and Dr. John Watson (Martin Freeman), the greatest duo on the BBC, are back in action, facing a brand new villain played by Tony Jones and perhaps… Moriarty (Andrew Scott)? Moriarty, Sherlock’s greatest foe was killed at the end of the 2nd Season, but at the end of the 3rd Season we learned he could be back? Then again last year’s Christmas Special, The Abominable Bride, involved Sherlock coming to terms with the fact that his greatest foe cannot be back after witnessing Moriarty blow his brains out. So is he?
Something is Coming… it may or may not be Moriarty, but we do know to expect Toby Jones! Jones is a fantastic actor and will make a formidable opponent for clever Sherlock, but what’s most interesting to me is that Jones would have made a perfect (if more conventional) Moriarty.
“You [DC] show them something, we’ll show you something better,” sayth Marvel! And it was great.
Joining Arnett is his Arrested Development co-star, Michael Cera as Robin, bringing a refreshing combination of more wide-eyed excitement and innocence than the traditional Dick Grayson. Ralph Fiennes is the perfect sarcastic Alfred (though I love what the DCEU has going with Jeremy Irons), and though we have yet to hear dialog, Zach Galifianakis has the Joker laugh down.
Let’s build up to the most exciting trailer shall we? (Justice League, duh!). So we’ll start with Suicide Squad, a movie for which we have many trailers already, though the new one still offers quite a bit of new footage. While not going as far as the Batman V Superman trailer that spoiled Doomsday, the villain is revealed more than before in this latest trailer, and there are a lot of new scenes that will wet your appetite. If you are already at footage overload, don’t feel too bad about skipping the San Diego Comic Con 2016 Suicide Squad trailer. The film may feel fresher on August 5th without it.
That’s the poster, obviously. Now here comes the trailer:
Which brings us to the most Marvel-y trailer of all, the 1st teaser for Justice League! The trailer focuses on Batman recruiting the Justice League as Bruce Wayne, always out of the suit, which is a very interesting choice. In fact, because Justice League is still being shot, we’re treated almost entirely to recruitment scenes without costumes or special effects, but it still looks great, despite being handled by Zack Snyder who ruined Batman V Superman.
Spaced referenced Star Wars and Star Trek all the time as it was a show about failing professionals in their early twenties that happened to be geeky stoners. It was also the first time I had heard the theory that only the even numbered Star Trek films are good, as explained by Simon Pegg’s character Tim Bisley:
From what I have seen thus far, Marvel’s Netflix series (which are part of the official MCU of Marvel Studios Movies & Television – one shared universe) have been of the highest quality, standing toe to toe with the best films that feature any combination of Avengers’ Members. Daredevil raised the bar as far as what a superhero on TV could be, how dark Marvel Studios would go, and further proved the company can make any character interesting. Then the Studio doubled down with Jessica Jones, stepping back from the Superhero Genre into the shadows of Film Noir/ Detective Genre, all while upping the ante as far as darkness and reinventing a nearly unknown comic character. And while Daredevil is good, Jessica Jones is great, even featuring one of the top 3 villains in all of the MCU; Kilgrave (David Tennant) alongside Loki and Baron Zemo.
This new, full Luke Cage trailer carries on the tone of Marvel’s “Defenders” shows (more on The Defenders in a bit), with a hallway action sequence that brings Daredevil Season 1’s famous shot to mind, but presents a completely fresh tone in a Guardians of the Galaxy or Ant-Man manner. Existing more as a scene than a full “theatrical” trailer (they actually do call longer TV Show Trailers that now), the San Diego Comic Con trailer for Luke Cage may be the best trailer the studio has cut in either medium. It does appear to lean more toward the Superhero Genre than Jessica Jones, though.
Iron Fist doesn’t look nearly as good as Luke Cage, Daredevil, or Jessica Jones, but it is just a 51 second teaser showing me glimpses at characters and powers I don’t recognize. After all, Iron Fist is the hardest sell, as the most unknown of the characters appearing on Netflix similar to Guardians of the Galaxy, while also being the least grounded and hardest to sell, like Thor.
Fitting for the 50th Anniversary of the franchise, Star Trek Beyond feels more akin to an episode of the Original Series than any of the 12 films that preceded it. If Abrams’ Star Trek films had a baby with an Original Series episode, it would surely be Star Trek Beyond.
While Star Trek (2009) was tasked with “world building” and Into Darkness put too much emphasis on Khan (Benedict Cumberbatch),Beyond gives all your favorite characters meaty material and something to do, splitting the screen time between them in what seems to be an appropriate balance. Into Darkness focused on Kirk (as they all should to an extent; he is the Captain) and gave Scotty (Simon Pegg) waaaaay more screen time and a more important role than anyone else. My favorite character has always been Chief Medical Officer “Bones” McCoy (Karl Urban), who hasn’t received his fair share of screen time since the 60’s, but has plenty to do here, as does everyone else. Scattered across an alien planet due to the attack that destroys U.S.S. Enterprise, Bones actually gets paired up with Spock (Zachary Quinto), and it is refreshing to see their relationship more in depth, rather than the usual emphasis on Kirk and Spock. But don’t worry, no matter your favorite character, Spock, Scotty, Uhura (Zoe Saldana), Sulu (John Cho), or Chekov (the late Anton Yelchin) they are all fully fleshed out and have important roles to play, with plenty of screen time.
Two new interesting themes explored in Beyond are the idea of “Cabin Fever” and the repetition of everyday life after being on a starship for three years straight, as well as Kirk’s need to escape his father, George Kirk’s (Chris Hemsworth) long and heroic shadow.
What’s most interesting about this official synopsis is that it comes in advance of the 3rd film, this week’s Star Trek Beyond. In fact, this sort of thing is nearly unheard of. Studios may promise sequels before they know if their current film is a success, but they almost never give you a plot this far from release. Ghostbusters (2016) is a good example of this; a sequel has been announced, but we haven’t been told the plot. Hell, they don’t give you the plot to Iron Man 3 when Iron Man 2 is released, and Marvel plans their films farther out than most!
I guess it will take a few years to find out all these answers. But,in the meantime, we have a new Trek film coming this week and the idea of two Kirks to salivate over!
Taking over for Bill Murray, Dan Aykroyd, the late Harold Ramis, and Ernie Hudson from 1984, are Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones, respectively, as each does fill the archetype of their predecessor. Erin Gilbert (Wiig) is the new Dr. Peter Venkman (Murray), leader of the group and biggest skeptic, without any of Murray’s charm or sarcasm. Gilbert may be the flattest character in this film, and that’s a problem. Abby Yates (McCarthy) is an update on Dr. Raymond Stantz (Aykroyd) with just as much enthusiasm and dopey humor. Patty Tolan (Jones) is more or less Winston Zeddmore (Hudson), Black, street-smart, and last to join the team. The only actress to stand out in her role, separating herself from the archetype that existed previously, is McKinnon as Holtzmann, a much wackier version of Egon (Ramis) that steals the show, with the exception of…
It does seem a pattern is arising, does it not? Aside from each female Ghostbuster bringing a slight twist to their pre-assigned archetype, none of it feels fresh except the aforementioned Kevin and Hotlzmann. The plot, while not using the same ghostly entity as the big bad from the 1984 film, does feel recycled, with little new to offer. If anything, it offers much less, with a much simpler plot than that involving the Gatekeeper, Keymaster, and Zuul, which was deliciously bizarre and mysterious, with a real sense of danger. While I appreciate the reboot’s successful attempt to explain why Ghosts are suddenly a thing in New York City, the evil Ghost plot falls flat on its face and the finale is more goofy and action packed than the original; a remake in the modern age of CGI in every sense of the word. There feels as though there is no peril in the end of the film, just an overabundance of CGI Ghouls. It also lacks charm. These new female comedians certainly have the chemistry and the comedic chops deserving of the roles they landed, but there’s still something missing. The ending to the 1st film is so great, with those four men on a roof, facing a God and a Building-Sized Stay Puft Marshmallow Man, with only their wits and whit. The stakes and the chemistry just isn’t all the way there in this new Ghostbusters.
The humor does feel a bit off, but that is because the original film excelled in the humor of the 80s, while this reboot is obviously very modern. That being said, I think, like most modern takes of classic genres, the film is a little heavy on the humor and a bit light on character development, plot, and even the supernatural. Just compare Lethal Weapon (1987) to The Nice Guys (2016) as an example; both are the same genre and written by the same man, but the later goes overboard on the humor, losing the more poignant moments from the former. I was a bit turned off by all the jokes at the ladies’ expense, considering Director Paul Feig downplayed the fact he cast women in roles originally inhabited by men. I expected there to be some differences; obviously female character behave differently than men and will get into different comedic situations, but by the end of the film I was so tired about hearing jokes about women being able (or not being able) to do “a Man’s Job.” I don’t think it’s just the sexist haters that need to get over the fact that the Ghostbusters are now women; Feig should take a chill pill of his own.
I may have mentioned magic and wonderment (I have), as that’s what The BFG has in Spades, and is its greatest strength. If anything, the plot often gets lost in the magical realm of giants. Similar to the wonderful Children’s Film, Coraline, as well as (nearly) every Tim Burton film, The BFG has a style over substance problem. It’s a slow moving film that really, really pulls off all the visuals, from the startlingly realistic appearance of the CGI Giants to the beautiful tree of dreams, and even the foggy streets of London. It is certainly a lovely looking film that also finds visual charm in the way Big Friendly Giant (who apparently doesn’t have an actual name, unless I missed it) utilizes regular size objects across his whimsical, giant home.
The main cast is glorious under the direction of arguably the Greatest Director of All Time, from the aforementioned Mark Rylance to newcomer Ruby Barnhill. Rylance voices and did full motion capture to bring BFG to life, and if this Giant looks vaguely familiar, that’s because Rylance won an Academy Award for playing the Russian Spy in last year’s Spielberg film, Bridge of Spies. As I also mentioned, Rylance is Spielberg’s current Muse (this director’s Tom Hanks days may be over), attached to Spielberg’s next two movies, The Kidnapping of Edgardo Mortara and Ready Player One; also rumored to be on the cast list for Indiana Jones 5. In her 1st film, Ruby Barnhill as Sophie thrives under the direction of veteran “Child Director” Steven Spielberg. As proven by E.T., A.I. Artificial Intelligence (acronyms again!), Jurassic Park, and Hook, among others, Spielberg has President status over the exclusive club of directors who can make Child Stars shine, membership including J.J. Abrams (Super 8) and Richard Donner (The Goonies). The BFG is no exception to his legacy.
But… there are Fart Jokes. Two scenes of Fart Jokes! Which would normally piss me off in a Spielberg movie (in an interview he says he’s never done one), but again, it’s from the source material, and they aren’t awful Fart Jokes like every other Children’s Film… ever… they’re… charming.
Well, Mr. Pegg, are you quite sure? Because licencing a Rihanna song (titled “Sledgehammer”) and debuting it on your final trailer does not seem very Star Trek-y at all! Not… on… bit.
Yes, director Roland Emmerich (ID4, Godzilla (1998), The Day After Tomorrow, 2012), attempts to go bigger, with an alien ship the size of the Atlantic Ocean, and we get one scene of London buildings and vehicles being lifted into the air (the ship has its own gravity… or gravity guns… or something) as well as some “Moon Base Destruction” (I’m stealing that for my band’s name), but the stakes somehow feel… lower than the 1st film? There was something mystifying about all the ships parked over landmarks across the globe in the original, while this one feels almost, more local? This extends to the finale where there is no world-wide effort to fight back like in the 1st Independence Day; all the action is limited to the desert wasteland around Area 51.
The lackluster destruction, action, and plot aren’t the films biggest shortcomings, the characters in this movie just suck, especially the new ones. The new young cast of heroes, Jake Morrison (Liam Hemsworth), the late Captain Steven Hiller’s (Will Smith in the 1st film) son Dylan Hiller (Jessie T. Usher), and the still living President Whitmore’s (Bill Pullman) daughter Patricia Whitmore (Maiki Monroe) all share a backstory that seems like it was rejected from Top Gun, with no chemistry between the characters. William Fichtner plays the criminally underdeveloped General Adams, a character who could have been this film’s President Whitmore, had he any motivation or personality. Finally, including an African Warlord and a “Government Pencil Pusher” as supporting characters just seems like a questionable choice at best.
Independence Day: Resurgence is an uninspired retread, recalling other lazy sequels like The Hangover Part II, Jurassic Park III, and Dumb and Dumber To. It tries to repeat what made 1996’s Independence Day such a summer smash, forgetting what actually made that film great (note to director Roland Emmerich… it wasn’t just the destruction!). Dumb plot and dumber characters make for… you guessed it… a dumb sequel.
Central Intelligence works best when it’s all jokes. Johnson and Hart are hilarious together, with this film perhaps being Johnson’s most funny thus far. It was this pairing, not the unoriginal plot, that had me excited to see the film and this aspect of the film certainly delivers! Johnson is side-splittingly-funny as the muscle bound CIA Agent Bob Stone whose personality does not fit his ripped facade. Bob Stone still has a chip on his shoulder from being the fat kid who was humiliated in High School, also never outgrowing his nerdy personality, to a point where he still loves and wears a Unicorn shirt… and a fanny pack… as a CIA Agent…
The supporting cast is full of great actors and comedians, including Amy Ryan, Aaron Paul, Kumail Nanjiani, Melissa McCarthy, and an incredibly funny role for the incomparable Jason Bateman. All add a nice flavor and a bit more comedy into the mix (Aaron Paul even gets to say “Bitch,” immediately calling to mind his Breaking Bad catch-phrase, intentional or not). Calvin’s fear and resistance to being pulled into Bob Stone’s world, including his interactions with Agent Pamela Harris (Amy Ryan) and inexperience/fear of danger make for some funny laughs, but nothing tops the glee of Bob as he goes about his violent business with a big smile on his face and a bigger fanny pack on his waist!
If more of a comedy is what you’re looking for, and you enjoy the antics of the now fun-loving Dwayne Johnson (whose older movies used to take him too seriously; The Rock’s a funny dude) and/or the comedy stylings of Kevin Hart (Get Hard comes to mind as the closest comparison), then you will love Central Intelligence. It is exactly the film as advertised by its great trailers. If you’re looking for a more traditional 80’s “Buddy Cop” movie, this still isn’t it, but that’s not a deal breaker. The chemistry and comedy are great, the supporting cast is solid, as is the action (if only there was more of it…).
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