But it’s the tiny bit of content that is exciting! In this most teaserly of teaser trailers for a teaser trailer, you will see one amazing thing: a shot of Batman’s new, glorious cowl!
We’ve seen it pictured before (below), but seeing the suit through the lens of a camera, even if CGI’ed… is amazing. Here’s the original peek we got months upon months ago.
I didn’t notice the stitched together look of the new suit until this “teaser trailer,” but it is evident in the picture above when examined closely.I love this stitched together look which is simpler, less-armor, more-classic Batsuit that really hearkens more to the costume of Frank Miller’s The Dark Knight Returns than Nolan’s Dark Knight Trilogy.
Its even go ‘dem short ears I love! And the nose is more human than past masks that gave Batman more of a mini-beak! (In the trailer at least; the original image below is more beaky.)
Batman V Superman: Justice Begins has been generous (though not nearly as generous as Marvel of late!) with official pictures of other key characters like Superman (Henry Cavill), Wonder Woman (Gal Gadot), and even Aquaman (Jason Momoa). And let’s not forget Lex Luthor (Jesse Eisenberg)!
Let’s look at those now, shall we?
I’ll wager you can tell which is which.
Today’s teaser was meant as an invitation from director Zack Snyder to see the first full, real Teaser Trailer at IMAX on Monday… if your state gets it…
The rest of us will hopefully get the full trailer online next week as well.
Batfleck Vs. Superman (also known by the silly title ‘Batman V. Superman: Justice Begins’) is still over a year away with a scheduled release date of March 25th, 2016. In the meantime, I think we should all take a step back to admire the greatest comic book movie of all time; Christopher Nolan’s 2008 film ‘The Dark Knight.’
I wanted to do the top 5 scenes of the entire ‘Dark Knight Trilogy,’ but that was too limiting as there are too many fantastic scenes in my ‘The Dark Knight Trilogy’ to cover here. I couldn’t even narrow just ‘The Dark Knight’ down to 5 favorite scenes. I need 6 to do the job!
Without further ado, here are the top 6 scenes from ‘The Dark Knight’ in the order they happen in the film’s narrative.
1. The Heist
The Bank Heist is quite the little scene to open and therefore establish the tone of the 2nd movie in Nolan’s Batman Saga. Inspired heavily by the Michael Mann film ‘Heat,’ the scene twists a classic heist into the Joker’s (Heath Ledger) plot, all while setting you on complete edge using the heights of IMAX and the sharp cords of the Joker’s theme… all screaming “Chaos.”
2. Decent Men In An Indecent Time
The Joker’s heist may kick off the movie, but it is a decision made by three men that really set events in motion.
To defeat Gotham’s biggest recognized problem, the mob, Harvey Dent (Aaron Eckhart), Lieutenant James Gordon (Gary Oldman), and Batman (Christian Bale) make a pact that will dictate the fate of all three involved, as well as collateral damage of Rachel Dawes (Maggie Gyllenhaal).
“We’re going after the mob’s life savings. Things will get ugly.”
“I knew the risk when I took this job, lieutenant.”
Dent accepts the risk willingly, as do Batman and James Gordon.
It is this pact that will determine the destiny of all three men; destroying them all by the end of the film.
3. Dent’s Dark Side
‘The Dark Knight,’ specifically the scene just covered, is largely based on my favorite graphic novel ‘The Long Halloween’ by Jeph Loeb and by Tim Sale.
In the comic, Dent’s dark side is hinted at early in the story; long before the accident that scars him. Let’s just say he may may have done more than take a henchmen down an alley and flipped a coin to decide his life. But we’ll get to that now.
Dent spends half the movie as Gotham’s “White Knight,” the honest and law-fairing District Attorney bringing hope to Gotham. I would argue that Dent’s dark side is introduced too late in the movie; around the hour mark. Even here, the film form is not as severe as his comic version. Hell, ‘Gotham’ showed Dent’s short fuse in the first episode introducing the young assistant D.A.
The 1st sign something is amiss with Gotham’s White Knight is when he interrogates Joker’s henchmen Shiff Thomas; the man wearing the name tag pegging “Rachel Dawes” as the Joker’s next victim.
Thomas gets the ‘ole coin flip multiple times, gun held to his head, until Batman stops Dent. The Dark Knight warns the D.A. that if anyone saw what Dent was doing, faith in the White Knight and Gotham would fail.
Even going off the cuff, Dent left the fate of Shift Thomas to his double-sided coin. He (likely) meant Shift Thomas no terminal harm.
Still, that Dent darkness has to appear somehow.
4. Batman Interrogates The Joker
Batman’s one rule comes back to bite him in the ass. By a rabid dog chasing cars.
It’s really hard not to love this scene. Though Batman has the Joker in his gauntlets, Joker has all the power.
“You have NOTHING! Nothing to threaten me with. Nothing to do with your strength.”
It really is powerful to watch Batman wail on Joker to no avail. His “one rule” that prevents him from killing leads to the deaths of others in the film. This same number was over 600 by the time the pair face off for the final time in Frank Miller’s ‘The Dark Knight Returns.’
In this case, his one rule kills Rachel and blows Dent halfway to hell. But it is this rule that separates Batman from the masked villains. Even though he may lose to the Joker this scheme, I think he may get him in the end…
5. An Unmovable Object and An Unstoppable Force
‘The Dark Knight’ breaks the superhero’s genre one rule, established in classic films like 1989’s ‘Batman’ and carried on to nearly-modern day ‘Spider-Man’ (2002) and ‘Batman Begins’ (2005): kill off your villain so the end is nice and tidy.
The Caped Crusader does toss the Clown Prince of Crime off the Pruitt building… only to catch him with his grappling hook, much to the Joker’s disappointment.
“Oh, you. You just couldn’t let me go, could you? This is what happens when an unstoppable force meets an immovable object. You truly are incorruptible, aren’t you? You won’t kill me out of some misplaced sense of self-righteousness. And I won’t kill you because you’re just too much fun. I think you and I are destined to do this forever.”
Boom! That’s comics in a nutshell.
Spider-Man doesn’t kill the Green Goblin in the comics (well he does, several, but some come back… and, you know, crazy Marvel stuff); they clash again and again and again. And there are very few foes that have been clashing longer in the comics than Batman and the Joker.
6. The White Knight Vs. The Dark Knight
The real finale. The one we were promised when Gordon, Dent, and Batman meet on that rooftop in the first act.
Things got dirty. And all three of these decent men in an indecent time were torn to shreds by the joker, but none more than tragic Harvey Dent.
“What happened to Rachel wasn’t chance. We decided to act! We three!”
Batman knows what’s up! Cause he’s the world’s greatest detective.
But Harvey Dent is the apparent loser in the room, having lost his fiance (and scared his face), with no knowledge that Bruce carried similar feelings for Rachel.
In the comics, Bruce Wayne blames himself for not revealing to Harvey Dent who he was. For not showing Dent who fought alongside him for the soul of Gotham. For remaining anonymous and letting Gordon and Dent take the brunt of mob vengeance.
In the movie, even in this immense time of crisis, Batman is able to vocalize the importance of Harvey Dent to Gotham; why he was chosen.
“Because you were the best of us! He wanted to prove that even someone as good as you could fall.”
So rests the soul of Gotham in these three-warriors-torn-asunder’s final moments together. Harvey “Two-Face” Dent deciding each of their fates with a flip of the coin.
This scene completes the movie. Three young men with rose-color glasses are wrung through the shredder as a promise they made destroyed their partnership and their lives. Classic Nolan/Batman tragedy.
Ben Affleck (Batfleck!) and David Fincher are planning on working together again following their great financial and critical success of the excellent film ‘Gone Girl.’
They will be remaking a Alfred Hitchcock classic that is due for a reboot.
‘Strangers On a Train’ is a great premise, one even slightly duplicated in ‘Horrible Bosses;’ only less comedic than the Jason Bateman/Charlie Day/Jason Sudiekis version.
But the film has not aged well, especially with the *SPOILERS* finale on a carousel.
It does seem like the perfect premise for a dark David Fincher movie and Ben Affleck is the man to either play the uneasy nice-guy who agrees to the exchange without realizing the ramifications OR the psychopathic man who takes the agreement too far.
For those of you not in-the-know of Alfred Hitchcock’s original classic, the premise to ‘Strangers on a Train’ is that two strangers (see?) meet on a train (SEE!?!?), tentatively agreeing to carry out a murder for each-other that would leave both parties looking innocent as they have no connection to the victim or the crime. Unfortunately, the man proposing the deal is far more serious than the other man who agrees to participate, leading to a thriller where the murderer threatens to blackmail the other man unless he returned the “favor.”
Fincher is among my favorite directors, nailing the darkness needed to carry classics like ‘SE7EN’ and ‘Fight Club’ or more current releases like ‘Zodiac’ or 2014’s amazing ‘Gone Girl.’
Meanwhile, Batfleck has been on fire since his career was re-kickstarted by his directorial efforts in ‘Gone Baby Gone,’ ‘The Town,’ and ‘Argo.’
And let us never forget that Ben Affleck is now our Batman in DC’s Cinematic Universe (DCCU).
I know everyone shudders at the word “remake,” but between the original cheesy ending and the talent of Fincher and Affleck, it may very well be time for a new version of ‘Strangers on a Train.’
May I suggest Brad Pitt for the other role? Does that suit you, Fincher?
No, I don’t mean the 2003 film ‘Daredevil’ starring Ben Batfleck as the title hero. 2015’s ‘Daredevil’ is a brand new show, officially part of the the Marvel Cinematic Universe, by Marvel Studios. Fox made the original film but let the rights slip back to Disney/Marvel, allowing the pros that brought us ‘Captain America: Winter Soldier’ and ‘Guardians of the Galaxy’ to create and execute the first of five planned Netflix shows.
The Marvel Cinematic Universe (MCU) hasn’t had much luck on TV, especially when you compare it to DC’s successful ‘Arrow,’ ‘Flash,’ and ‘Gotham;’ all shows that look like they will be around for a few seasons. My personal favorite, ‘Constantine’ is the most enjoyable, as though it can get dark as hell, the tone is closer to that of a Marvel movie than the aforementioned darker DC shows or the new DC Cinematic Universe (the DCCU) kicked off by Zack Synder’s overly dark ‘Man of Steel.’
Meanwhile, ‘Agents of S.H.I.E.L.D.’ clings to life and is a complete disappointment when compared to the rest of the MCU, or even Fox and Sony Marvel films like ‘Spider-Man’ and ‘X-Men.’
‘Agent Carter’ may be great (the premise sure is), but I have yet to watch it (I think I’ll hop on Hulu+ following this post) and haven’t seen any TV ratings yet.
Though we have yet to see any real footage from Netflix’s’Daredevil,’ one would expect the gutsy “online network” that brought us ‘House of Cards’ to deliver a more cinematic product with a much higher budget than ‘Agents of S.H.I.E.L.D.’ The former should also feel less constrained by network television standards than the latter.
And ‘Daredevil’ is just the beginning of a run of MCU Netflix programming that could eclipse DC’s thus far successful television efforts.
Here’s the poster.
Following the 13 episode ‘Daredevil’ series starring Charlie Cox as Daredevil/Matt Murdock and Vincent D’Onofrio as Kingpen, Marvel and Netflix will release ‘AKA Jessica Jones’ starring ‘Breaking Bad’s Krysten Ritter as the title character and Mike Colter as Luke Cage. Seeing as how the two are an item in the comics, Mike Colter will play Luke Cage in ‘Aka Jessica Jones’ before he gets his own show, ‘Luke Cage,’ next. Following that we get ‘Iron Fist’ which has yet to be cast, followed by an ‘Avengers’-esque series called ‘The Defenders’ that brings all four characters together for an ensemble superhero team.
Basically, Marvel has focused their TV efforts on an MCU of Netflix’s own; one that could lead to appearances of the characters on ‘Agents of S.H.I.E.L.D.’ which desperately needs more superheroes and even a possible team-up in ‘Avengers: Infinity War,’ Part 1 or 2.
This does raise the question, where and if these shows exist within ‘Phase 2’ or ‘Phase 3.’ Being a part of the MCU means they have to fall somewhere. I would guess that somewhere is ‘Phase 3’ as we won’t see Daredevil on the big screen helping with the sadistic Ultron. But IT DOES come out before ‘Age of Ultron’ and ‘Ant-Man,’ the latter ending ‘Phase 2.’ Maybe some plot points do feed into either film and are a part of Phase 2?
We’ll know more on April 10th when Netflix drops all 13 episodes of Marvel Studios’ ‘Daredevil;’ the next frontier of superhero shows.