Since the day the news broke that Spider-Man was joining the Marvel Cinematic Universe, via a deal between Marvel and Sony, everyone has been fascinated with how Peter Parker would interact with The Avengers. Captain America: Civil War added fuel to the excitement-fire by revealing the first pieces of Spider-Man’s relationship with the likes of Iron Man and Captain America, and now people can’t wait for Web Head to meet other MCU legends like Hulk, Dr. Strange, and, most importantly, Rocket. It seems not enough thought has been dedicated to the prospect of how other characters from the “Spider-Verse” (aside from Peter and Aunt May) could be utilized to fill recurring roles across the MCU.
Such as, a legendary nemesis that originated as a strictly Spider-Man character and has since grown into more of an overall Marvel villain in the comics. Yes, we have seen Norman Osborn in both versions of the Spider-Man movie series, but stick with me here. I am NOT suggesting we bring in the Green Goblin at any point (though I would love to see him a few Spider-Man movies in); Norman Osborn, sans Goblin, could be a very effective cinematic threat for all the Earth-bound Avengers, based on his more recent comics history.

These days, Norman Osborn has more in common with Lex Luthor than the Joker. Old school, full-on Green Goblin Norman murdered Gwen Stacy and obsessed over killing Spider-Man, much like Joker’s relationship with Batman. The version brought to life by Willem Dafoe in Sam Raimi’s Spider-Man (2002) was a great adaptation of that older idea. The new version I suggest has greater aspirations and an agenda on a much larger scale. An MCU-wide threat.
We got a hint what a Green-Goblin-Free, more businessman-like Norman could look like in The Amazing Spider-Man films, though it was poorly done and never paid off. Norman Osborn wasn’t even cast in the 1st Amazing Spider-Man; he was the faceless puppeteer of the sinister Oscorp. In the MCU, such a move would be a step in the right direction, but I want to see him cast, right away! Like, “I wish he was a character already in Civil War.” Like 6 months ago “right away.” Look, Norman loomed large over Sam Raimi’s initial Spider-Man trilogy, with a talky-mirror scene in every film, and Oscorp was a huge part of The Amazing Spider-Man with Harry Osborn becoming the Goblin in the sequel, but we still need a 3rd version of Norman (we’ve had 3 Jokers and 3 Lex Luthors on thebig screen). But, to avoid overexposure of a 3rd reboot, he doesn’t even need to be a secondary villain or “boss” pulling the strings of a hired (or tricked) super-villain… at the start. I just want Marvel Studios to establish the fact that Norman Osborn clearly exists in their universe as soon as possible. Show us his new face. Because the moment we know he’s out there… the possibilities are endless.
Start small. Norman and Oscorp exist. Now… slowly extrapolate over the course of Phase 4, not limiting the character to Spider-Man solo films. Oscorp could become a more recognizable, shady company than Hammer Advanced Weapon Systems or A.I.M., but I would prefer to keep Norman Osborn completely separate from the overused Hydra. In fact, I would like to have him take over the role as primary thorn in The Avengers side. Comics Norman, like Lex Luthor, somehow manages to remain trusted enough by both the public and the government to be given the title and power of Iron Patriot as well as jurisdiction over his own team of “Dark Avengers.” Built up correctly, Norman Osborn could be the overarching threat, the “Hydra” if you will, the drives The Avengers through Phase 4 and beyond.
But who should play the latest Mr. Norman Osborn? Let’s be real; NO ONE can top the aforementioned Willem Dafoe. I think his take is a better villain than any other we’ve seen since in the Marvel and DC movies. He’s not the best written villain, but something about Dafoe’s delicious performance makes him more dangerous, yet gleeful than Jack Nicholson or Heath Ledger’s Joker, Tom Hiddleson’s Loki, and the rest. Unfortunately, no Studio likes to reuse actors in their reboots (as much as I’d also like to have J.K. Simmons back as J. Jonah Jameson), and Dafoe is tied up in the DC Extended Universe (as is Simmons!).
I’ve been saving this actor for my dream casting for another Spider-Man character, Eddie Brock, the 1st and most definite host to the Venom symbiote. But, with a rumored Venom film independent of Spider-Man on the way from Sony and the problems the character had in Spider-Man 3, it’s actually less likely that we will see Brock than Norman. So… I nominate… Michael C. Hall (Dexter) for your MCU Norman Osborn!
Think about it. Hall could play intimidating, likable but slimy businessman Norman, no problem! And, if need be, he can go full “Dexter’s-inner-monologue crazy” if his role is evolved to full villain. Which hopefully, it is. Because if Norman can’t pay off as Iron Patriot due to prior MCU story-lines, I’d love to see the Goblin and his own team eventually face The Avengers… or he can just act big across the MCU as Norman and just pester Spider-Man as Goblin in a sequel to Homecoming… or we can forget the Green Goblin all together… I just want some God-Damn Norman Osborn in my MCU! Right away!
Thanks, Marvel Studios. You’re a peach!

Best straight-up zombie movie. Period. Danny Boyle’s zombies even more frightening than the traditional model, capable of incredible speed, the ability to walk up stairs and climb ladder, and infecting others in seconds by spitting blood at them, in addition to the classic bite. The opening sequence with a completely abandoned London is an astounding image that is hard to forget. Finally, the most important rule of zombie movies is present: the zombies aren’t as dangerous as the other survivors (especially the military). Bloody good scares.
My list is full of horror/comedy hybrids. Even the most traditional of horror movies on this contains some laughs (except for 28 Days Later). I don’t always watch horror, but when I do, I like it with a splash of comedy. Sam Raimi’s Evil Dead trilogy set the standard for full on horror with some ridiculous laughs, with the 1st film arriving in 1981, predating any of the other movies on this list. The third film, Army of Darkness wasn’t released until 1992 and it upped the comedy considerably from even the grossly hilarious Evil Dead 2. Never has someone uttered as many delicious one-liners than Bruce Campbell as Ash. There are skeletons, possessions, graveyards, and not just evil mini versions of Ash… but an actual full-sized Evil Ash (or “Bad Ash”). Raimi’s unique style oozes throughout the film; his own little quirks are nearly as recognizable as Tim Burton’s.
Shaun of the Dead (like all Edgar Wright/Simon Pegg collaborations),puts comedy 1st, yet still plays by all the rules of the genre. Shaun of the Dead is not a parody of zombie movies as much as it is love-letter to the genre with comedy. It’s the movie that put director Edgar Wright and actors Simon Pegg & Nick Frost on the international stage, leading to other amazing parody/homages Hot Fuzz and The World’s End, so you know it’s good! Not as terrifying a zombie movie as 28 Days Later, but still full of scares… balanced gently with laughs.
The original Ghostbusters from 1984 is a given, especially on a list with a comedy twist. Like Shaun of the Dead, this classic was conceived as a comedy movie first, but went on to embrace paranormal scares with great special effects… at the time. It’s not the scariest movie about ghosts, but it is the most iconic. You don’t need to sold on this one; Ghostbusters is a true Halloween Classic with hilarious performances by Bill Murray, Harold Ramis, Dan Aykroyd, and Ernie Hudson.
It’s a Halloween Movie! And a Christmas Movie… but totally a Halloween Movie! My boss says it is just a Christmas Movie, but he is wrong. Dead wrong.
Besides 28 Days Later, the Scream films (ONLY the 1st two!) are the most full blown horror movies on my list. Scream was a game-changer for the genre in the 90’s; a horror movie that was so meta it had a character literally explain the rules of a horror film. With this level of self-awareness, the first two Scream movies were able to subvert said rules, providing plenty of fright misdirects while still delivering on the gory promise of a slasher film. No one is safe! The fact this formula worked two times is a testament to the sequel, which was able to feel fresh and bring “the rules of a sequel” into the mix. Scream‘s not a respectful parody like Shaun of the Dead, but rather a full-on horror flick with A+ scares, blood, and that self-aware twist.
Cabin in the Woods came along in 2012 and took Meta to the next level! Co-Written by the great Joss Whedon, Cabin in the Woods also introduces all the rules only to subvert them. There’s an order in which each archetypal character must die (the jock, the loose girl, the stoner, the virgin… etc), but that doesn’t mean it’s followed. Cabin in the Woods take this idea of extreme self-awareness a bit farther, dissecting not just one horror sub-genre, but instead examining the many types of scares that cross cultures. Best of all, the film is half horror cliches and half office workplace comedy. It’s impossible to explain without spoiling the movie, but let’s just say it’s just as interesting watching Richard Jenkins and Bradley Whitford go about their extremely odd and disturbing job as it is watching Chris Hemsworth and friends try to survive in their cabin in the woods.
Oh, 2011’s remake of Fright Night, you would be on so many people’s Halloween lists if anyone had seen you. You’re forgotten, not bad.
Three Halloweens ago,





























